海南大学学报(社会科学版)

《童年》与《呼兰河传》最主要的美学特征表现为儿童的忧伤。它源于自传性的写作和创作者的天性,以儿童与老人、与死亡、与世界的辐射网加以展现,从儿童视角展示了文本忧伤的审美品格。

The paper proposes that sadness of the children characters constitutes the most significant esthetical feature of the two literary works entitled The Childhood, and A Tale of the Hulan River respectively. The sadness originates from the autobiographic nature of the books as well as the personality of the authors. It presents a mosaic of the young and old, life and death in the human world and demonstrates an esthetical value of sadness from the children's point of view.