海南大学学报(社会科学版)

阅读20世纪90年代以来的文学作品,发现这一时期的文学倾向于将对乡村女性的叙述与"性"或"身体"联系起来,她们被塑造成人们通常所说的"小姐",当然他们从事的职业可以是保姆、服务员、打工妹等。基于此发现,文章借助罗岗曾有过的关于"从香雪到英芝"的讨论带来的启发,对《哦,香雪》、《奔跑的火光》进行重新讨论,并将讨论与对另一个文本《女佣》的解读进行对接,试图在"从香雪—英芝—杜秀兰"这样一个乡村女性由单纯到放荡,由农民变为女农民工,由女农民工变为"小姐"的过程中,探究写作者叙述的动力以及试图回应的问题之所在。

The literary works since the 1990s tend to link the description of country women with "sex"or "body",which usually portray them as"street girls",although their careers can be nannies,waitresses,and young workers and so on.With this discovery and the inspiration from Luo Gang's discussion"from Xiangxue to Yingzhi",this paper probes into the two literary works Oh,Xiangxue and Running Flames from a different angle,and relates the discussion to the interpretation of another work Servant Girl.From Xiangxue to Yingzhi till Du Xiulan,they symbolize the process in which the country women have experienced from purity to dissoluteness,from peasants to female migrant workers,and from female migrant workers to"street girls",which exposes the drive that the author narrates and the issue he attempts to reveal.