海南大学学报(社会科学版)

运用20世纪批评家热拉尔·热奈特提出的叙事理论,分析拉封丹寓言中的"时距"和"语态"等叙事策略,并探究它们对寓言产生的价值。一方面,寓言叙述中不同的"时距"使得寓言的叙述节奏不断变换,拓展了寓言故事的内容,增强了文本的可读性,也丰富了寓意;另一方面,拉封丹寓言中独特的叙事"语态"建立了不同于作者和读者的直接对话渠道,它强化了叙述者的身份,从而进一步发挥了其情节编撰以及与叙述对象沟通等功能。拉封丹的作者身份与叙述者身份的互动,使读者不必将寓意与作者本人的哲学立场建立必然联系,从而让读者获得更广阔的哲学思想空间,使寓意生成更具开放性。

Adopting the narrative theory of Gérard Genette,the critic in the 20 th century,this paper analyses such narrative strategies as "durée"and "voix"in the fables of La Fontaine and delves into their values to the fable. On the one hand,different "durées",in the narration of the fables,make the narrative rhythm continually change,extending the contents of fable stories,enhancing the readability of the text and enriching their implied meanings. On the other hand,the distinctive narrative"voix"in La Fontaine's fables establishes a kind of direct dialogue channel different from the author and the reader,which strengthens the narrator's identity,thus further exerting his functions of plot compilation and communication with the narrative objects. The interaction between the authorship of La Fontaine and his identity as a narrator makes it unnecessary for the readers to establish an inevitable connection between morals and the philosophical standpoint of the author himself,which helps the readers acquire a wider space for philosophical thought and makes the generation of morals more open.