海南大学学报(社会科学版)

欧阳予倩三度把孔尚任名剧《桃花扇》改编成京剧、桂剧和话剧，并创作了电影剧本《新桃花扇》。他在改编时尊重和依托原著，并未将原著人物、情节、结构等完全推倒来另编故事，也不是为改编而改编，对原著照搬照抄，而是将戏剧改编和时代需要相结合，在改编中体现时代变化，表达时代诉求，以便当代观众的接受和欣赏。他通过截取故事的几个重要场景突出主要人物和矛盾冲突，在描写忠奸斗争之外着意表现民族气节、爱国情怀，并在表现李香君精神气质的同时强烈书写她的自我意识的觉醒，且努力提升“小人物”在历史上的地位。欧阳予倩的《桃花扇》改本为古典戏剧的现代改写树立了典范。

While adapting The Peach Blossom Fan, a famous play by Kong Shangren into Beijing Opera,Guangxi Opera and drama for three times, Ouyang Yuqian creates the screenplay The New Peach Blossom Fan.His adaptation respects and relies on the original works, neither overthrowing the original characters, plot, and structure to write a new story nor copying the original works for the pure adaptation. In fact, while integrating the dramatic adaptation with the needs of the times, his adaptation reflects the changes of the times and expresses the demands of the times for the reception and appreciation of the contemporary audiences. Through intercepting several important scenes of the story, he highlights the main characters and conflicts. In addition to the description of the struggle between loyalty and treachery, national integrity and patriotic feelings are prominently conveyed.While expressing Li Xiangjun's spiritual temperament, he earnestly writes the awareness of her selfconsciousness, striving for the promotion of the status of“little characters”in the history. Ouyang Yuqian's adaptation of The Peach Blossom Fan has set a role model for the modern adaptation of classical drama.